Jeff Beck The TruthFor years a heavy debate has been going on over who stole whose music.Either Truth copied Led Zep 1 or vicer versa.Both albums stand alone but with definite similarities.
Truth is a very interesting album that will grow on you.It is not one you will play every time you want to listen to music but it certainly is one to have in the collection for historic purposes.I should have bought it years ago.It includes some great vintage Rod Stewart Jimmy Page and John Paul Jones.Go on Splash out!!!!
Excellent cd reissue of original vinylThis is a really well produced cd version of Jeff Beck's first album. For those who do not know Beck, he was anaother of the Yardbirds famous guitarists (Eric Clapton and Jimmy Page being better known). Beck was even at the time of this album a superb guitarist capable of fireworks as great as Hendrix but also capable of good solid blues riffs, acoustic melodies and what one might call 'nice tunes'. This cd shows the breadth of the material recorded and Beck's wide range of styles and also exemplifies the tension between Beck's own love of modern blues rock style against the attempts to produce widely appealling pop material from his producer, Mickie Most. Perhaps the famous 'Hi Ho Silver Lining' exemplifies this in one song, a 'pretty' 60's type pop song but with a blistering guitar solo by Beck in the middle. He hated the song by the way. There are other contrasts between the different styles, 'Love is Blue' (a classic 60's style pop instrumental) could not be more different to 'You Shook Me' (a heavy rock blues), but Beck's talent shines through all the tracks and the vocals of an up and coming but then virtually unknown vocalist, one Rod Stewart, add to the quality of the end product. This cd has tracks over and above the original vinyl album and a good set of notes from both the original vinyl cover and extra information concerning this release, If you appreciate good guitar and have an eclectic taste for 60s/blues/rock, this cd will not disappoint.
Blueprint for heavy rockThe first version of the Jeff Beck Group existed in a transitional period in time, before bands like The Faces and Led Zeppelin came into being, and after Jeff Beck's ejection from the Yardbirds. It's all in the timing because it also followed the folding of bands like the Shotgun Express and the Birds, from which he recruited Rod Stewart and Ron Wood, then both still relatively unknown. Mick Waller on drums had known Rod Stewart from earlier Steampacket days and came to the band from the Brian Auger Trinity.
Truth was the first album by the group although it was released under the name Jeff Beck, who was simultaneously "enjoying" a solo career, masterminded by producer Mickie Most, and having hits with songs such as Hi Ho Silver Lining, Tallyman and Love Is Blue (shudder).
The truer heart of Jeff Beck was to be found on the B-sides and on this debut album, which was mostly left to Ken Scott, the engineer, to handle, whilst Mickie Most no doubt dreamt of one day discovering elfin girls in black leather cat suits with bass guitars.
After eighteen months of grafting on the road the band were pretty hot. It is a classic album, though the shortage of material does show, with versions of Ol' Man River and a throwaway filler in Greensleeves. This was inspired by Chet Atkins' version, though Mick Waller had previously recorded a rocked-up version of it for Joe Meek with the Flee-Rekkers back in 1960 as Green Jeans. Carrying on that tradition, several of the tracks are thinly disguised rewrites of well-known blues songs. Let Me Love You is essentially Buddy Guy's Let Me Love You Baby; Rock My Plimsoul is clearly BB King's Rock Me Baby (although BB himself nicked it from Lil' Son Jackson) and Blues De Luxe owes more than a little to BB's Gambling Blues.
There's also a reworking of Shapes Of Things, a Yardbirds hit that Jeff played on; a cover of Tim Rose's arrangement of Morning Dew; a version of Muddy Waters' You Shook Me with John Paul Jones (soon to be of Led Zeppelin) guesting on Hammond; and a rip-roaring rendition of Willie Dixon's I Ain't Superstitious, as recorded by the great Howlin' Wolf.
The album set a sort of blueprint for a genre that came to be known as heavy rock, made possible by developments in the technology of electrical musical instruments, amplification and recording equipment, of which Jeff and his sidemen were early adopters and experimenters. In the Yardbirds, of course, he had been a pioneer of feedback. The sound was developed on the second album, Beck-Ola, but with less light and shade than is found on Truth.
Rounding out the album is the instrumental Beck's Bolero, an earlier recording from July 1966. It had previously appeared on the B-side of Hi Ho Silver Lining and has the unique line-up supporting Jeff of Jimmy Page (12-string electric guitar), Nicky Hopkins (keyboards), John Paul Jones (bass) and Keith Moon (drums)! The tune is credited to Jimmy Page, though Maurice Ravel may have had a hand in it. On the album it is shorn of the backwards guitar part at the end but is newly mixed into rudimentary stereo.
This edition of the CD comes with 16 pages of booklet notes including an informative essay by Charles Shaar Murray, and a number of bonus tracks (all stereo except where stated): I've Been Drinking had been the B-side of Love Is Blue, and so was unlikely to have been heard by legions of Jeff Beck fans who would have avoided the single like the plague, and was an adaptation of Dinah Washington's Drinking Again. There are the first takes of All Shook Up and Blues De Luxe, the latter without the fake live effects that were overdubbed to the eventual master; the excellent 1967 single Tallyman (in mono) and its B-side, an earlier recording of Rock My Plimsoul, both from a time when Aynsley Dunbar was the drummer; and Hi Ho Silver Lining, first recorded by the Attack, and its B-side, the original mono, backward guitar mix of Bolero.
Finally, it includes the dreaded Love Is Blue (in mono). Where to begin with this blot in Jeff Beck's discography? It began life as L'Amour Est Bleu by the Paul Mauriat Orchestra, and with words added became Luxembourg's 1967 entry in the Eurovision Song Contest as sung by Vicky Leandros. It came fourth but was popular enough to be recorded by the likes of Andy Williams and Claudine Longet. It falls way outside Jeff Beck's comfort zone and suggests that Mickie Most must have had a very persuasive tongue.
The Real Truth Is Out In The OpenGreat stuff from Rod`s old sidekick Mr Beck. Mix a bit of The Faces with the Early Jam and you have a lethal combination.
Great songs like Dont Mess With Donna and Lazy Sunday are the standout tracks.
This is a brilliant album and I wish Rod Stewart would team up with Jeff Beck again.
Shapes of Things that might have beenFor any self respecting guitar fan "Truth" is a must have and is one of the milestone albums of the sixties. It ranks along side "Bluesbreakers" John Mayall's Bluesbreakers with Eric Clapton, "Are You experienced" Jimi Hendrix's Experience and paved the way for Led Zeppelin's debut album. Need I say more?
Co-incidentally, Led Zep's John Paul Jones and Jeff's old Yardbirds mate Jimmy Page pop up on three of the tracks, as well as The Who's Keith Moon and keyboard player extraordinaire Nicky Hopkins. Yet this is a group effort make no mistake. Beck's playing is powerfully inventive throughout, Rod Stewart's vocals are fantastic, Ron Wood's bass playing adds bluesy funk to the rhythm section complimenting Micky Wallers' famous "wallop" on drums.
At the time of its release this album contained a couple of "firsts" for me: first time I'd ever heard Rod Stewart sing and first time I'd heard blistering rock music like this in glorious stereo! Sadly for the Jeff Beck Group it also proved a first and last: pop impresario and producer Micky Most failed to develop the band in the same way that Peter Grant did for Led Zep (ah, what could have been) and where cover songs on ""Truth" often became definitive versions of the song, sadly they remained largely uninspired fillers on the follow up and the group's last album "Beck-Ola" - really, who needs cover versions of "Jail House Rock" and "All Shook Up"??
Favourite tracks? All, except the terrible one naff track here - "Blues Deluxe" - hence a 4 star rating for this rock classic.
Hide Reviews
Searching... Please Wait 
Shopping Blog
DVDs
Music
Books
Games
Mall
